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https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1650966310734-LEQTL4JHMOJP0BR21YU8/Georgian+Ornament+%28Sun%29%2C+2021+.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/5b64a298-4686-450d-b432-fa2c32afc77f/confines-june.png june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/409396b9-e629-4e86-b14f-d1189c81b35e/WEICHEKANTEN-Morris-Milvio-invite.png june It has the shakes, which is how it rests and rests cutting oval shells of borders with jagged smooth turns. It is an oyster leaving pearl. … They are a prism of endless shimmering color. If you sit with them they burn and blister. They are bony with hope, muscular with grief possession. … Their coherence is incoherence, provocations of scars and knives and paradise, of tumbling wooden rivers and liquid hills. – Excerpted from Dionne Brand, A Map To The Door of No Return, 2002 Rebecca Morris (b. 1969, Honolulu) lives and works in Los Angeles. Selected solo exhibitions include the Blaffer Art Museum, Houston; Bonnefantenmuseum, Maastricht; the Renaissance Society, Chicago; Bortolami, New York and Barbara Weiss, Berlin. Her work was also included in Made in L.A., Hammer Museum, Los Angeles (2016) and the Whitney Biennial, New York (2014.) She will open a major survey exhibition at the Institute of Contemporary Art, Los Angeles in October 2022. Daniele Milvio (b. 1988, Genoa) lives and works between Milan and Ansedonia. Selected solo exhibitions include Fondazione Morra Greco, Naples; Weiss Falk, Basel; Federico Vavassori, Milan; Supportico Lopez, Berlin and Downs & Ross, New York. https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654946168097-GL0K3C7BY3FK5Q5YP99D/Rebecca%2BMorris%252C%2B2005%252C%2BUntitled%2B%2528%252309-05%2529.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654944324786-BQ1QRBXT3WHCTBY87IH1/Rebecca+Morris%2C+2008%2C+Untitled+%28%2315-08%29.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654944804837-YJSTA1SH03D7X5D8NW4V/Rebecca+Morris%2C+2014%2C+Untitled+%28%2304-14%29.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654944411573-UIHQE1KBZYZR6M9A3M01/June-RD-DM-1.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654944417908-C6U1NWBIELMX70QKR5KS/June-RD-DM-2.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654944460761-8CGIKVEPZC7EJFJJMXF7/June-RD-DM-7.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654859079693-TQ19B7KQ87G7IRXAB1UN/June-RD-DM-4.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654859059116-87XG8VW2MJQ75TXADAUA/June-RD-DM-3.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654859140517-PXJ1UGQ9Q2L546X9W52T/June-RD-DM-5.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654859142580-YIH3VFUB4OE41AJABAMH/June-RD-DM-6.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654859208060-G3IHD8DO0PPQIAXFOANV/June-RD-DM-8.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1654859237870-Z4NWJ8CYVO9IN2AYMFNU/June-RD-DM-9.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660395313083-020BJ9NK26SNFFRL9C0B/June-Exhibition-views-1.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660395276254-24WB5HTW222F8RRYG47O/June-Exhibition-views-2.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660395330552-J4DQN7S1AGM4P1RV7GQ8/June-Exhibition-views-3.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660395356501-R67W431KH11RUYTJKOTA/June-Exhibition-views-4.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660395378932-YVQETNGMO1LS4A68DH1X/June-Exhibition-views-6.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660395397366-5Z9CQOZ9BZS5JM5LKZ1J/June-Exhibition-views-7.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660398485734-DWAWDLHN0KRKEHVAC26G/June-Exhibition-views-5-min.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660666903535-3QJNTAXNW3V3UGGNRSR7/G%C3%BCnther+F%C3%B6rg%2C+Das+Detail+vergr%C3%B6%C3%9Fern+%283%29%2C1985%2C+Munich+Glyptothek%2C+Photographic+work%2C+color%2C+c-prints%2C+44+x+29cm-min.jpgcondenced+.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660666926656-IVZ1U5PPDZZ6LSWEQ081/Fergus+Feehily%2C+North+Star%2C+2008%2C+Found+frame%2C+book+cover%2C+acrylic+on+board%2C+20+x+14+x+1+cm+CONDENCED.jpeg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660398740489-42JL9318J12LHHTD4D6L/TGood+FFEEHILY_dee_left_side_SQ.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660398787217-MGDPB3U0FQI7CWWCH669/TGood+FFEEHILY_Ever_loving_SQ.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660398722045-GDIZTFE7MNMYNUJZJ1TM/TGood+FFEEHILY_Clancy_SQ.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1660398714619-696PED8MA813POADXCKP/FFEEHILY_untitled_2020.jpg june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1518039354452-F9VV72ZFM5CMUA800EDM/Screen+Shot+2018-02-07+at+22.34.07.png june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1518039742859-TDG0JNT84KKUP7HMBG4A/Screen+Shot+2018-02-07+at+22.34.07.png june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1522770535203-9YNLQ1B8GVN1VRX3EMRT/Screen+Shot+2018-04-03+at+17.37.24.png june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1522770595210-81CWIY1UI5VE4ETE8USX/Screen+Shot+2018-04-03+at+17.37.24.png june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1522770579723-D38GDXV4R7E96FY69JZL/Screen+Shot+2018-04-03+at+17.37.24.png june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1522770558403-DZDDD37FFEXSZMNXB264/Screen+Shot+2018-04-03+at+17.37.24.png june https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1540969579226-A6COCIQZ4PH7AYH133H3/Blank+Website.png june - Reality Forum 29 October 2018 7pm In October Reality Forum will focus on the work of Christoph Schlingensief. His many TV productions, among them U3000 or Freakstars 3000, are rare examples of a successful crossover between popular entertainment, critical inquiry and artistic practices. Often parodying or otherwise remaining in close dialogue with reality television they will offer an important counterpoint to the mainstream shows we've watched so far. Reality Forum is a monthly screening and discussion group that focuses on the genre that has come to be known as "unscripted television". It is organized by Wojciech Kosma and june Berlin. https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1529919172196-L4GPJTYKMZAVHHK5N1X4/Blank+Website.png june - PITH 29 June 2018 9pm A performance by Josh Johnson and Thilo Garus pith pɪθ/Submit noun 1. the spongy white tissue lining the rind of oranges, lemons, and other citrus fruits. 2. the essence of something. "the pith and core of socialism" synonyms: essence, essential part, main point, fundamental point, heart, substance, heart of the matter, nub, core, quintessence, point, crux, gist, salient point, focal point, nucleus, meat, kernel, marrow, burden; informality gritty "the pith of the argument" verb 1. remove the pith from. "peel and pith the oranges" 2. pierce or sever the spinal cord of (an animal) so as to kill or immobilize it. https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1540969931604-BNFL8V7H4FABVPE0EPDJ/Blank+Website.png june - Digital Technology 9 November 2018 8 pm A performance with and by Mårten Spångberg and a film by James Benning Digital Technology is a meditation in the company of objects, a stream of impressions that comes to an end and there we are - it’s nothing special but a little like talking about a book that we all read but really long ago and remember different things. Now they are played again, in front of us but more inside like a quite slow film. A film - like the piece - that’s there more like the television left on without sound. Digital Technology was first presented in 2016 as an attempt to listen to and be guided by the time embedded in a seemingly random series of objects. Yet, objects that resonate with space and that pass on rhythm and activation to form a landscape. A landscape that undermines the well rehearsed wish for perspective and all what that means, in favour of a horizon or perhaps a place where neither questions nor answers makes much or any sense. Perspectives have a tendency to measure and judge, make decisions for others and introduce forms of power. In respect of horizon instead everything is equally and indifferent. It is perhaps in this moment when indifference appears that we learn to see or listen. For june Mårten Spångberg has created a slightly shortened version of Digital Technology that shift the space, due to circumstances, into a vertical preference. It is the first time that the work is presented in the context of visual art which, emphasized by the wall space will shift forms of signification. Mårten Spångberg takes a special interest in the oscillation of shifted performativities where activities, bodies and objects take on different capacities of representation and blurs identity. Those spaces – ambiguous without being unsafe, he proposes, are spaces that can generate agency on the terms of each individual yet circumvent identity and value. At the end this is one of the most central nodes in Mårten Spångberg’s work, and implicitly its political forte, the experience of oneself experiencing. Mårten Spångberg is a Swedish choreographer living and working in Berlin. Although he identifies as a choreographer his work is not media dependent but span from dance to architecture and painting, next to a strong writing practice, in particular theory. Initially a strong contributor to conceptual choreography his more recent works takes on a more experiential form, especially in large format dance performances such as “Gerhard Richter, une pièce pour le theatre”, “Natten” and “La Substance, but in English”. His work has been presented in among other places MoMA PS1, Palais de Tokyo, Renaissance Society, Tate Liverpool, Hordaland Kunstcenter, Tallinn Art Hall, Tensta Konsthall, Moderna Museet, Manchester Festival, ICA London, CA2M Madrid, MAMBO, Nasjonalgalleriet Oslo, MUMOK Vienna. https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1531128310193-C9GZXNV1IZL7XIAENI0H/Blank+Website.png june - Divided 15 July - 31 August 2018 In response to the vast desert infinity beyond them, nomads in south-Saharan regions are inclined to a periodic deconstruction and re-construction of space in order to create a temporal sense of place and belonging within the community. Stability is achieved by a balance of forces in tension and compression, the interior space is gradually transformed through repetitive movements until a "tightly knit cognitive spatial structure" is achieved; these are referred to as ‘pseudo-fixed structures’ as they exist only by virtue of human occupancy within time. Baldassarre Ruspoli examines the mutable nature of space as constantly alterable and changeable as opposed to static. He recalls rituals of primitive origin, shedding light on behaviour related concepts. His interactions are means by which body and surroundings can define each other reciprocally, entering into a dialogue that mutually shapes through the repetition of gestures. A preceding performance of repeated physical interaction is the point of origin of Divided. It has accrued within the confinements of its space and is now absent. Its process becomes a means to activate time, the interaction a means to activate space. Left with the mundane act of building as a relict and the absence of the dweller as an ephemeral presence, the space of interaction challenges permanent, static structures; a loose approach to point to a nascent contemporary instability. https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1543070629276-9FMFPRNGC0T6MOZSFRPO/Blank+Website.png june - Water Cooler Chat 2 December 2018 4 - 6 pm A durational performance by Rūta Junevičiūtė, Lilach Livne and Emmilou Rößling in collaboration with Goshka Macuga Water Cooler Chat is a transitory time rocking back and forth, pondering on the preciousness of a passage. It is searching for an amplitude of casual intimacy, while unfolding in tender gestures of female companionship. It penetrates iconography, sculpture and choreography, seeking to escape the world of categories towards the liminal and the accidental. Three women place themselves on the periphery of events, becoming the negative peak of the unspectacular, the uncanny and the slow. Dealing with the paralyzing state of being overwhelmed, Water Cooler Chat is a blob of different materials that are asking the viewers to create their own experience by zooming into single details and leaving out others. It is performatively rethinking and newly embeds tapestries and costumes made by visual artist Goshka Macuga, allowing for different propositions to surface from a pool of mixed potentials and pre-existing artworks. It is always still in the making while at the same time trying to grasp the tail of the image that simultaneously precedes and follows. Rūta Junevičiūtė is Lithuanian interdisciplinary artist and cultural agent based in Amsterdam, where she is recently studying choreography at the School for New Dance Development. Between 2011–2016 she has had a number of positions within Contemporary Art Center, Vilnius, having worked on projects such as solo exhibitions by Raimundas Malašauskas and Eglė Budvytytė and XI Baltic Triennal of International Art. She holds degrees in Art Theory and Fine Arts. Lilach Livne (1986, Israel) is an artist focusing on the relationship between choreography, dance, philosophy and community. Her work has been presented at the 20th Sydney Biennale, Salonul De Projecte gallery Bucharest, Convenry University UK and at CCA TLV amongst others. Recently her practice book Prayer for the Abstract was published by Circadian Berlin. Lilach holds a BA in Philosophy and Gender Studies from the Tel-Aviv University, she studied choreography at SNDO Amsterdam and Experimental Dance at SEAD Salzburg. Emmilou Rößling (1991, Berlin) is a choreographer and performer. She has been presented in venues such as Mousonturm FFM, Sophiensaele Berlin, Frankfurter Kunstverein, Scena Robocza Poznan and Palais de la Porte Dorée Paris. Emmilou works in different constellations with Antonia Baehr, Valérie Castan, Ivana Müller, Mette Edvardsen, Tom Engels, Quast&Knoblich and others. Emmilou holds an MA in Choreography from the JLU Gießen. Goshka Macuga was born in 1967 in Warsaw, Poland, and lives and works in London. Her recent solo exhibitions include „Now this, is this the end … the end of the beginning or the beginning of the end?” at Schinkel Pavillon, Berlin (2016); „Goshka Macuga“, New Museum, New York (2016) “To the Son of Man Who Ate the Scroll” at Fondazione Prada, Milan (2016). Goshka Macuga was nominated for the Turner Prize in 2008. https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1561792468680-ZH58TVA56MDDDYWBT359/Blank+Website.png june - Horse Follows Darkness 6 July 2019 9 pm Delia Gonzalez performing music from her latest film and screening of ‘Horse Follows Darkness’. Featuring an all female cast of five ballet dancers, the narration of the 16 mm film unfolds in three acts, through which a heroine—whose looks emerge as a fierce, sensual and enigmatic, perhaps even self-referential aesthetic leitmotif following Gonzalez’ central character in In Remembrance—conquers her battles with the embodiments of the devil, shadow, seduction, and fear, all styled accordingly. Inspired by early 1970's French film, spirituality and mysticism, Horse Follows Darkness reveals the deepest workings of the heart and mind. https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1571676555913-9AM6N2XEPD0EC4VBAMXI/Blank+Website.png june - Desire / Delivery 27 October 2019 5 pm Paula Kamps reads Desire / Delivery Incisive, raw, and at times self-deriding, Desire/Delivery strikes a tone precise and challenging, one that leaves the reader to question its self-seriousness, the veracity of its confession, but further, the work is a deadpan jest of the gendered societal expectations among today’s art cognoscenti. -Marc LeBlanc https://www.j-u-n-e.eu/kozlowska-showroom daily 0.75 2021-03-20 https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1616240667827-53KL3I5ZJP59NXQNENVY/Kozlowska-Borderline-Ediburgh-1.png Kozłowska Showroom - Barbara Kozłowska, Borderline, 1973, 52x72 cm, 3500 euros Action of the Sea and Five Colored Cones, Edinburgh, Scotland, 10 color photographs in white frame https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1616240667780-2R6V6C54F3IH6X372A7Q/Kozlowska-Borderline-Ediburgh-2.png Kozłowska Showroom - Barbara Kozłowska, Borderline, 1973, 52x72 cm, 2500 euros Action of the Sea and Five Colored Cones, Edinburgh, Scotland, 5 color and 2 black and white photographs in white frame https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1616240681802-UNA6NR9UJGS6DKF20XLW/Kozlowska-Borderline-Ediburgh-3.png Kozłowska Showroom - Barbara Kozłowska, Borderline, 1973, 52x72 cm, 2000 euros Action of the Sea and Five Colored Cones, Edinburgh, Scotland, 3 black and white photographs and 8 color reprints in 52x72 cm frame https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1616240683448-LESFC02SP85ZM7Y890Z3/Kozlowska-Borderline-Malta.png Kozłowska Showroom - Barbara Kozłowska, Borderline, 1975, 52x72 cm, 1500 euros Ħaġar Qim and Tuffieħa Bay, Malta, 1 color photograph and 4 artist-made black and white reprints in white frame https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1616240690619-9MODKTK9ZNH258ZTM0XD/Kozlowska-Borderline-Siberia.png Kozłowska Showroom - Barbara Kozłowska, Borderline, 1967, 52x72 cm, 3000 euros Lake Baikal, Siberia, 6 black and white screen printed photographs and 1 artist-made photocopy of photographic negatives in white frame https://images.squarespace-cdn.com/content/v1/59d68305268b967c53e1a609/1616241311222-ZGS8VR2L5A95J4R1HKPL/Przechwytywanie.png Kozłowska Showroom - Agniezska Lasota, The Line, 2017, video, price on request THE LINE (All This Can Be Seen Anywhere), 2017, Video, 11 minutes 36 seconds,